A strong sense of inclusivity was

also reflected in the wall art and

graffiti during and after the July

uprising, which highlighted the

case of the marginalized and

minoritized people in multiple

instances. Numerous graffiti and

wall art pieces not only called for

justice but also carried a broader

message of liberation, "Not a land

of one nation, Bangladesh is a

land of many communities"

symbolizing the interconnected

struggles of all communities. It

underscored the message i.e. our

liberation

collective

is

intertwined, with the fight for

justice uniting people across

regions and backgrounds.

The true power of graffiti lies in its resilience; it persists as a medium for

revolutionary memory and collective consciousness. It speaks for those

silenced, ensures the struggles of the marginalized endure, and, as Banksy's

words suggest, comforts the disturbed while disturbing the comfortable.